Subject Listings

Focuses on film and digital photography. Develops skill in the use of chemical darkrooms, scanners, digital printers and cameras to create striking still images capable of evoking strong emotional and intellectual responses from a viewer. Emphasizes the interplay between classical chemical and digital techniques and how they can be used to control the use of lighting, color, depth, and composition in an image. Students present their intermediate assignments to the class for critical discussion; at the end of the term, they submit a substantive project presenting their own creative images for critique and evaluation. Credit cannot also be received for EC.305.

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Students use both film and digital photography to develop a creative imaging project of their own choice. Develops skills in the use of image editing software to enhance, select, and combine images that the student has taken. Uses the darkroom to develop film for scanning and for chemical enlargement. Discusses topics such as the camera, composition, lighting, modes and formats, image compression, and halftone and dye sublimation printing. Students are expected to produce a duplicate set of black and white and/or color prints, along with a writeup and digital copy as the project output. Credit cannot also be received for EC.310.

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Look at the world with open eyes. Wonder. Question. Explore. Reflect.

Watch for the night sky, again and again, with your own eyes.  Catch a shadow; where is it next?  Spot something, move, view again.  Share observing activities with classmates, people in history and indigenous practices.  Construct geometry together.  Discover geometrical and human relations through diverse perspectives. Explore hands-on with instruments and methods from historical times. Listen to voices of others, now and in the past.   Examine injustice; question what produces and perpetuates it.  Build community that is relational, accepting, and antiracist.  Encourage each other’s curiosity, vulnerability and growth. 

Readings, journal, observations, collaborations, and a final reflective paper. Past projects include: following shadows; watching the sky; art projects with historical methods; making educational videos; collaborative experiments; conference presentations; enacting historical and feminist drama; MIT History… Whatever your interests, this is a place to explore them.

Your own story uncovers insights for educational research.

What will you notice and question, explore and express?

Contact: Elizabeth Cavicchi ecavicch@mit.edu

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Seminar participants define and study the development stages of new enterprises at MIT, from the exciting moment a new idea for a tech product or service is realized, through to selling, customer support, and the next new idea. Follows the history of successful MIT spin-off companies with attention to the people (and their ideas) behind the start-up. Students attend MIT technology and science start-up case presentations given by individuals and teams working from zero-stage, and by partners in going concerns of historical relevance to the Institute and the economy. Second in a two-part series (seminars do not have to be taken sequentially; see EC.074 in fall term).

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Explores some of the critical actions in starting up a technology-based business, including concept generation, searching prior art and patents, protecting intellectual property, founders agreements, forming and building teams, and work-life balance. Students review case studies and complete exercises that develop practicable knowledge in these areas. Each student keeps an "idea log book," which includes critical assessments of each case study, to be presented at the end of the term. First in a two-part series (seminars do not have to be taken sequentially; see EC.075 in spring term). Preference to undergraduates; open to graduate students with permission of advisor.

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Look at the world with open eyes. Wonder. Question. Explore. Reflect.

Watch for the night sky, again and again, with your own eyes.  Catch a shadow; where is it next?  Spot something, move, view again.  Share observing activities with classmates, people in history and indigenous practices.  Construct geometry together.  Discover geometrical and human relations through diverse perspectives. Explore hands-on with instruments and methods from historical times. Listen to voices of others, now and in the past.   Examine injustice; question what produces and perpetuates it.  Build community that is relational, accepting, and antiracist.  Encourage each other’s curiosity, vulnerability and growth. 

Readings, journal, observations, collaborations, and a final reflective paper. Past projects include: following shadows; watching the sky; art projects with historical methods; making educational videos; collaborative experiments; conference presentations; enacting historical and feminist drama; MIT History… Whatever your interests, this is a place to explore them.

Your own story uncovers insights for educational research.

What will you notice and question, explore and express?

Contact: Elizabeth Cavicchi ecavicch@mit.edu

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Here, you’ll learn the application of electronic flash sources to measurement and photography. The first half of the course covers the fundamentals of photography and electronic flashes, including experiments on the application of electronic flash to photography, stroboscopy, motion analysis, and high-speed videography. Students write five extensive lab reports.

In the second half, students work in small groups to select, design, and execute independent projects in measurement or photography that apply the learned techniques. Project planning and execution skills are discussed and developed over the term. Students engage in extensive written and oral communication exercises.

Enrollment limited. 12 Engineering Design Points.

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Intuition-based introduction to electronics, electronic components and test equipment such as oscilloscopes, meters (voltage, resistance inductance, capacitance, etc.), and signal generators. Emphasizes individual instruction and development of skills, such as soldering, assembly, and troubleshooting. Students design, build, and keep a small electronics project to put their new knowledge into practice. Intended for students with little or no previous background in electronics.

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